Contemporary urban storylines

Contemporary urban storylines


Deadline for Full Paper submission: 20 January 2023

While submitting select “Original Study” as article type and “Contemporary urban storylines” as Section/Category in the online form.


Guest Editors: Cristiana Bartolomei, Alfonso Ippolito, Simone Helena Tanoue Vizioli


Cristiana Bartolomei, University of Bologna (CV)
cristiana.bartolomei@unibo.it
Alfonso Ippolito, Sapienza University of Rome (CV)
alfonso.ippolito@uniroma.it
Simone Helena Tanoue Vizioli, University of São Paulo (CV)
simonehtv@usp.br


Submission and peer-review process information

Please submit all figures as a separate file in compliance with the guidelines for authors.
The double-blind peer review process will take place from 20/01/2023 to 20/05/2023.

Deadline for the first peer-review round notification to the authors: May 30, 2023
The best 12 to 14 contributions will be selected and published in a thematic issue of the scientific journal “Tema”.
The other accepted articles, assessed through a blind peer-review procedure, may be published in an ordinary issue of the scientific journal “Tema” or could be redirected to a volume edited by an international publisher.

Final publication deadline: the beginning of the year 2024 (other accepted papers will be published within 2024)

Call for Papers Brief

“Architetto deve essere quello, che possederà almeno quattro Scienze, cioè Grammatica, Aritmetica, Geometria e Prospettiva, e qualche parte di Filosofia, e che sia ancor inclinato a sempre studiare ed inventare”, Jacopo Barozzi da Vignola.
(Architect must be the one, who will master at least four Sciences, namely Grammar, Arithmetic, Geometry and Perspective, and some part of Philosophy, and who is ever inclined to constantly study and invent)

In this perspective, the call deals with the theme of textures and geometries that characterize the figurative, compositional, and structural grammar of facades in architecture, starting from the second half of the XX century. Facades are boundary surfaces that convey the iconic language as well as the expressive matrix of the different meanings of a building, designed as a set of multiple parts.
The aim consists in highlighting the configuration process in its conversion from the idealization phase to the construction feasibility one.
To be accepted, contributions are encouraged to explore the relationship with history, technique, form, cultural and symbolic significance, highlighting how drawing is a pivotal element of the entire process.
The contributions accepted can range from theoretical and methodological issues to specific case studies, as long as they investigate significant aspects of the textures and geometries of a façade.
Specifically, four topics have been identified:

1- Representation: the drawing as a generator of iconic meanings.

The creative process and the double look: on the one hand, an act of representation of reality, the portrait of a society, a symbolism, the verisimilitude of existing elements; on the other hand, a critical, interpretive procedure, an interdisciplinary knowledge relationship beyond the substitutive analogy. In all these perspectives, drawing contributes as a means for the emergence and registration of new icons and symbols, as an expression of new processes and new arts, and as a documentation of the passage of time and history.

2 – Lexicon and Technique: the compositional grammar.

Christopher Alexander (2013) already said that Language is like a foreign language; it can be an instrument of prose or poetry, and the difference between prose and poetry is not in the use of different languages but lies in the different use of the same language. Language is like a network, so there is not only one path, one sequence to be followed, and not only a single way to follow the same path. In this sense, Technique is the conductor that transforms this path according to the given needs and specificities, combining and grammatically reordering its elements.

3 – The relationship with History: substance and meaning

The city and the buildings have been changing throughout history: not only have facts and data overlapped along the way, but new materials, new technological processes, and new ways of thinking, representing, and building architecture have emerged. From the solidity of raw stone to the world of virtual reality, from exposed concrete to kinetic facades with their responses to the sun and wind, from iconic to anonymous buildings; constructions, while still standing with their ideas, narratives, meanings, and memories, witness future perspectives.

4 – The relationship with the context: Metaphors and Urban Scenographies

The city must first be accessible and attractive and awaken all five senses, and people want to see, hear, feel, touch, and experience it. The city, framed by the facades of the buildings, is like a theater; it welcomes shows and people and arouses emotions. Sometimes, constructions act as a support for the arts – analog and digital arts – graffiti and video mapping; they are canvases for the primary colors and lights and shadows of the projections. In this context, there can be an encounter between the old and the new, such as contemporary projections on medieval or Renaissance buildings.


Technical Information

Articles and submissions processing charges (APC)

The contribution for the publication of each paper amounts to:

  • euro 300,00 for ArTec Members;
  • euro 400,00 for authors who are not ArTec Members

Essential guidelines

Authors should be aware that submitted articles must be formatted as TEMA: Technology, Engineering, Materials and Architecture Template (Click here to download):

  • The article must be submitted in .docx (.doc) format with figures, tables, and captions.
  • The Author(s) Agreement (Click here to download) form must be signed by the Corresponding Author and submitted as a separate file.
  • All figures must also be submitted separately in .tif o .jpg format and have a resolution of at least 200 dpi

Essential contents

There are no strict formatting requirements, but all manuscripts must contain the essential elements needed to convey the manuscript:

  • Title (maximum 20 words);
  • Highlights (maximum 5 lines);
  • Abstract (maximum 1.500 characters including spaces);
  • Classification matches (Click here to view);
  • Text, composed of Introduction, Methods, Results, Conclusions, Artwork, and tables with captions;
  • References (maximum 25).